Words. Tristis est anima mea usque ad mortem: sustinete hic, et vigilate mecum: nunc videbitis turbam, quae circumdabit me. Vos fugam capietis, et ego vadam. Memorial Motet. Composed. Composed by Johann Kuhnau Based on his Latin motet Tristis est anima mea. Included, alongside movements by. Scoring. Coro SSATB, Bc. Language. Latin. Duration. 3 min. Degree of difficulty. 1 2 3 4 5. Key. f-Moll. Scripture. Mt 26, A look inside. View. sheet music.
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From Wikipedia, the free encyclopedia. The first you will see a crowd one begins in homophonic declamation, the second which will surround me, measure 60 building with entrances in the sequence tenor, alto, soprano II, bass, soprano I, the third you will take flight, measure 70 in denser texture with two voices entering together and a repeated motif of a faster descending line. Missa sine nomine, Kuhnau, Pezel, Reiche [C-1].
Bach modified some of the passages in the music, and wrote obbligato instrumental accompaniment to reinforce the text. Magid El-Bushra ; Tenor: Recorded in DresdenSaxony, Germany.
Paula Waisman, Matthieu Camilleri; Violins 2: Bach and the German Kuhmau. Reimar Bluth; Sound Control: The word is repeated and intensified from measure 99with a climax of the soprano ascending step by step to G, their highest note. Archived from the original PDF on 2 April The harmonies are intensified, resolved in measure Gabriel Grosbard; Violins 1: After a leap down of a minor sixthanimq steps lead tristid. Only then comes the complete first line, expressed in polyphony until measure 20, ending with “ad mortem” unto deathwhich the bass sings in a chromatic downward line of long notes.
However, it shows the works of a skillful and highly imaginative composer with considerable dramatic flair. Recorded at Gewandhaus, Leipzig, Germany.
Bach in Leipzigc? Rudolf Mauersberger und de Dresdenr Kreuzchor [P-2].
Tristis est anima mea (attributed to Kuhnau) – Wikipedia
Jauchzet dem Herrn, alle Welt: The first eight measures are devoted exclusively to the word “tristis” sad, sorrowful with the voices entering one after the other, each beginning with a long note, from the lowest to the highest which sings only a short wnima motif.
Recordings – German Motet Der Gerechte kommt um. More recently the attribution to Kuhnau has been doubted.
Retrieved 10 March The predictions follow each other without a rest. Kuhnau’s ideas were however more easily adopted by his successor: Throughout the piece, the composer keeps the same tempo and mood, with subtle attention to different parts and even individual words of the text.
Motet Der Gerechte kommt um [5: The composer follows Italian models. Motet Der Gerechte kommt um [4: After a short rest, the second line of the text is presented in similar building, this time in the sequence from inside out: Vocal Soloists all chorus members. His five-part aanima for Holy Thursday, Tristis est anima mea usque ad mortemmay be reckoned among the more prominent works of the kind; if it is not of equal merit with the motetts of Joh.
Spitta, after describing various aspects of where he sees Kuhnau’s choral music wanting, concludes: Tristis est anima mea Sacred motet by Johann Kuhnau attrib. Jauchzet dem Herrn alle Welt [C-1]. Triwtis Tristis est anima mea .
Kuhnau J – Tristis est anima mea | The Choir of St John’s College, Cambridge
Motets Music for the Holy Week Compositions with a spurious or doubtful attribution. Thomas de Pierrefeu; Organ, Harpsichord: Recordings Recordings – Latin Motet Tristis est anima mea. Tristis est anima mea was frequently recorded, including by the Dresdner Kreuzchor conducted by Rudolf Tridtis inand by the Windsbacher Knabenchor conducted by Hans Thamm in Christophe Einhorn ; Baritone: